Laser scan uncovers secrets of Stonehenge: 3D technology reveals importance of ...

Written By Unknown on Tuesday, 9 October 2012 | 17:07

  • Stonemasons used the best materials where the sun would hit them
  • Laser scan revealed many more prehistoric carvings, including 71 new images of Bronze Age axe heads

By
Mark Prigg

19:35 EST, 8 October 2012


|

05:37 EST, 9 October 2012

Stonehenge was designed to light up carvings as though they were on display in a modern museum, a groundbreaking 3D scan of the iconic stones has found.

The latest 3D laser technology revealed new evidence of the importance of the midwinter sunset to the ancient creators of Stonehenge, along with 71 new images invisible to the naked eye due to weathering of the stone.

It suggests that the stonemasons used the best materials where the rays would hit the stone, ensuring they would glisten in the final light of the setting winter solstice sun, or at dawn on the longest day.

Revealing: The new images suggests that the stonemasons used the best materials where the rays would hit them - shining in the last light of the setting winter solstice sun, or at dawn on the longest day

Revealing: The new images suggests that the stonemasons used the best materials where the rays would hit them – shining in the last light of the setting winter solstice sun, or at dawn on the longest day

The scans revealed 'hidden' images on many of the stones. Here, arrow heads are clearly visible on stone 4 of Stonehenge.

The scans revealed ‘hidden’ images on many of the stones. Here, arrow heads are clearly visible on stone 4 of Stonehenge.

The laser scan has also revealed many
more prehistoric carvings, including 71 new images of Bronze Age axe
heads chipped into five of the giant stones, bringing the number of such carvings discovered at Stonehenge to
115.

The previously unknown Early Bronze Age carvings are invisible to the naked eye.

To find them, researchers analysed 850 gigabytes of information.

3D scanners were used to record billions of points micro-topographically on the surfaces of the monument's 83 surviving stones.

Detailed analysis of that data carried out on behalf of English Heritage found images had been engraved on the stones.

Researchers were able to virtually reconstruct parts of Stonehenge to get a closer look - this is stone 56 of the area.

Researchers were able to virtually reconstruct parts of Stonehenge to get a closer look – this is stone 56 of the area.

Secrets exposed: The latest 3D laser technology has revealed new evidence of the importance of the midwinter sunset to the ancient creators of Stonehenge

Secrets exposed: The latest 3D laser technology has revealed new evidence of the importance of the midwinter sunset to the ancient creators of Stonehenge

The team used complex laser Scanning at Stonehenge to gain new insight into the stones.

The team used complex laser Scanning at Stonehenge to gain new insight into the stones.

HOW IT WAS DONE

3D scanners and digital imaging cameras were used to record billions of points micro-topographically on the surfaces of the monument's 83 surviving stones.

Captured at a resolution of 0.5mm, it is the first time a consistent level of high-resolution data has been collected across all the stone surfaces.

This was usually done by removing the top 1-3 millimetres of weathered (darker coloured) rock, to produce different sized shapes.

Although now largely invisible to the naked eye, back in the Early Bronze Age the images would have been clearly visible on unweathered stone.

The varying techniques and amounts of work confirms not only that the builders intended to align the monument on the axis of the sun at midsummer and midwinter, but also that the view from the north east was particularly important.

Researchers said it was clear the stones were meant to be approached from the north east up the ancient processional avenue towards the direction of the midwinter sunset.

Study: Commissioned by English Heritage, the detailed laser scan and digital imaging of Stonehenge showed significant differences in how various stones were shaped and worked

Planning: Researchers said it was clear the stones were meant to be approached from the north east up the ancient processional avenue towards the direction of the midwinter sunset

Discovery

Discovery: The researchers said that as other stones in the monument have more natural, less neat outlines, it seems that the creators were making a special effort to allow a dramatic passage of sunlight through the stone circle at midsummer and midwinter

Approaching and viewing the stone
circle from this direction meant the winter solstice sunset had
particular importance to prehistoric people, and efforts were made to
create a dramatic spectacle for those coming from the north east,
experts said.

The stones in
the outer circle which could be seen on the approach from the north east
have been completely ‘pick dressed’, removing the brown and grey crust
of the rock on the surface to reveal the bright, grey-white underneath.

But the outer faces of those on the other side of the outer circle were not worked in the same way.

The
stones facing the north east are also the largest and most uniform, and
the lintels are very well-worked and finished compared to those
elsewhere in Stonehenge.

Stones
that flanked the north east/south west axis of the summer and winter
solstices were most carefully worked to create straight and narrow
rectangular gaps.

Shining through: The researchers said that as some stones in the monument have more natural, less neat outlines,

Shining through: The researchers said that as some stones in the monument have more natural, less neat outlines, it seems that the creators were making a special effort to allow a dramatic passage of sunlight through the stone circle at midsummer and midwinter

Study: Commissioned by English Heritage, the detailed laser scan and digital imaging of Stonehenge showed significant differences in how various stones were shaped and worked

Study: Commissioned by English Heritage, the detailed laser scan and digital imaging of Stonehenge showed significant differences in how various stones were shaped and worked

The researchers said that as other
stones in the monument have more natural, less neat outlines, it seems
that the creators were making a special effort to allow a dramatic
passage of sunlight through the stone circle at midsummer and midwinter.

Professor
Clive Ruggles, emeritus professor of achaeo-astronomy at University of
Leicester, said: ‘This extraordinary new evidence not only confirms the
importance of the solstitial alignment at Stonehenge, but also show
unequivocally that the formal approach was always intended to be from
the north east, up the avenue towards the direction of midwinter sunset.

‘We see how the utmost care and
attention was devoted to ensuring the pristine appearance of Stonehenge
for those completing their final approach to the monument at the two
times of the year when sunlight shines along the alignment – when those
approaching had the midsummer rising sun behind or midwinter setting sun
ahead.’

English Heritage
said the new presentation of Stonehenge, which includes a new visitor
centre 1.5 miles away out of sight, involved closing the A344 to reunite
the stone circle with the avenue from which it was meant to be
approached.

Pioneering: Professor Clive Ruggles, emeritus professor of achaeo-astronomy at University of Leicester, said the new evidence 'confirms the importance of the solstitial alignment at Stonehenge'

Pioneering: Professor Clive Ruggles, emeritus professor of achaeo-astronomy at University of Leicester, said the new evidence ‘confirms the importance of the solstitial alignment at Stonehenge’

The comments below have not been moderated.

Clearly our ancestors of thousands of years ago had the ingenuity, capability and social organisation necessary to build the likes of a jumbo jet, or at least a biplane. The question these studies always raise for me is, why didn’t they?- Great Balls
Clearly, you failed history. Rudimentary quarrying doesn’t equal refining and casting iron for an engine. Nickel-Iron steel for pistons/parts. Lathes and machining for cylinders/etc. Design of lubrication system, refinement of oil for petrol. No examples of heavier than air flight, gliders, ballons, nothing. At best, they might have managed tin and copper to make bronze trinkets. It wasn’t until Copernicus that the steam engine was even envisioned. And I thought US schools were bad.

xanos
,

Eads,
10/10/2012 00:42

In my view this was not so much an “art gallery” but a heraldic monument on which all the axe-heads denoted clans, tribes and families. This was a genetic monument, not only symbolic of tribal unity, but also doubling as a solar-lunar calendar.

geronimo
,

sussex,
09/10/2012 23:04

Clearly our ancestors of thousands of years ago had the ingenuity, capability and social organisation necessary to build the likes of a jumbo jet, or at least a biplane. The question these studies always raise for me is, why didn’t they?

Great Balls
,

of Fire, United Kingdom,
09/10/2012 22:56

Holly (Raleigh) plus anyone like minded
John Michell’s ” Bridge over Atlantis”
will get you thinking
Tonymo wirral UK

tonymo
,

Ellesmere Port, United Kingdom,
09/10/2012 21:33

‘Great!’

Anyonebutafootballer
,

Severalplaces, United Kingdom,
09/10/2012 20:20

Anyonebutafootballer ====== That was one too few greats :)

L.G.
,

Kent,
09/10/2012 19:39

jim from Omaha gets red arrowed for making a statement of fact.

Quintus
,

Bedford,
09/10/2012 18:32

Chisel marks.

vecten
,

medway, United Kingdom,
09/10/2012 18:31

Ah, the Tate Ancient.

Felicity Fortune
,

MerryoldEnglandshire,
09/10/2012 18:29

Both Avebury and Stone Henge are wonderful mythical places – it is an amazing and humbling feeling to stand in the same place as people have for thousands of years and realize the cleverness and architectual expertise which went into these creations. The cheer vastness of the reach and how they all interconect in one way or another is quite astonishing. I personally think it will be a very sad day when loose interest and stop questioning the use of the sites. A big part of our society has unfortunately lost their sence of imagination.

Holly
,

Raleigh,
09/10/2012 18:02

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Source:
http://www.ezonearticle.com/2012/10/09/laser-scan-uncovers-secrets-of-stonehenge-3d-technology-reveals-importance-of/

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